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Sunday, April 20, 2025

Film Analysis of "Ayla" (2017)


 

Film Analysis of "Ayla" (2017)
Director: Can Ulkay
Genre: War/Drama
Stars: İsmail Hacıoğlu, Kim Seol, Çetin Tekindor, Ali Atay

  • Nature of protagonist: Süleyman is kind, brave, and loving. He risks his life to protect Ayla.
  • Nature of antagonist: The war itself is the enemy – it causes pain, destruction, and separation.
  • Shape of dramatic action: The story rises as Süleyman finds and cares for Ayla, peaks at their separation, and resolves in their reunion.
  • Catalytic event: The moment Süleyman finds Ayla on the battlefield is the turning point.
  • Resolution: Süleyman and Ayla are reunited after many years.
  • Narrative style: Linear, with some flashbacks.
  • Narrative shape: Circular – starts and ends with older Süleyman.
  • Tone: Emotional, hopeful, and heartwarming.

At the beginning, Ayla might feel a little hard to watch because it deals with war and separation. But as you continue,  I see the beauty in the emotions, the performances, and the message. The film slowly pulls me in and makes you feel every moment.


Acting Performances

The acting in Ayla is very strong and emotional. İsmail Hacıoğlu plays young Sergeant Süleyman with great warmth. He shows care and love, especially in the scenes where he protects and plays with the little girl Ayla. The young Korean actress Kim Seol, who plays Ayla, is very natural and expressive. Even though she doesn’t speak much, her eyes and actions show her feelings clearly. The older version of Süleyman, played by Çetin Tekindor, also gives a moving performance, especially in the last scenes when he talks about Ayla.




Direction

Can Ulkay has directed the film in a way that makes the story clear and emotional. The movie is easy to follow and feels like a real-life story. He shows both the horrors of war and the beauty of human connection. The script is well visualized – every scene has a purpose and adds to the bigger story. The casting feels right; everyone fits their role perfectly.


Story

The story is based on a true event from the Korean War. It shows how a Turkish soldier, Süleyman, finds a little Korean girl alone in the war and becomes her guardian. The story flows well, starting with the war scenes, then moving into the peaceful life they try to build together, and finally showing their emotional separation and reunion. The moral is about love, kindness, and hope even in dark times.




Genre and Iconography

Ayla is a war drama, and you can see that through scenes of the battlefield, military uniforms, tents, and army life. But it also uses symbols of family and love, like the teddy bear Süleyman gives to Ayla or the small classroom he builds for her.


Mise-en-Scène

In individual scenes, the background, costumes, and props all help the story. For example, the cold, destroyed Korean villages show the effect of war. When Süleyman makes a small home for Ayla in the army camp, it gives warmth and contrast to the harsh surroundings. These elements add to the emotional effect of the movie.


Cinematography

The camera work uses close-ups a lot, especially on faces, to show emotions. There are wide shots of the battlefield to show the danger and size of the war. In quiet moments, like when Ayla sleeps beside Süleyman, the camera stays still to give a peaceful feeling. Camera movement is smooth, helping the emotional flow of the movie.


Lighting and Sound

Lighting is used well – war scenes are dark and grey, but scenes with Ayla and Süleyman are brighter, even in the army camp. This shows hope and love. The sound includes both diegetic (real) sounds like bombs and footsteps, and non-diegetic (background music) to add emotion. The music during emotional moments is soft and touching.


Editing

Editing is smooth and supports the story well. The film uses simple cuts, mostly continuity editing to keep the story clear. There are flashbacks and time jumps, but they are easy to understand.


Score

The musical score fits perfectly. It is emotional but not too loud. It supports the mood, especially in the separation scene where Ayla is crying and Süleyman can’t take her with him – the music makes it even more heartbreaking.


Realism

The movie feels real because it is based on a true story. The locations, costumes, and language are carefully made to match the 1950s war setting. The use of actual historical photos at the end adds even more realism.


Signs and Codes

One important sign is the teddy bear. It stands for love, comfort, and childhood. The classroom Süleyman builds is a code for normal life and education, even during war. These signs help the audience understand deeper meanings without saying them directly.


Conventions

The film follows war movie conventions – brave soldiers, the pain of separation, and heroic acts. But it breaks one convention by not focusing on fighting, but on love and human connection.


The Message

The message of Ayla is that love and kindness can exist even during war. Süleyman doesn’t just act as a soldier; he becomes a father to a lost girl. Their bond shows that family isn’t just about blood – it’s about care. The film achieves this message through powerful acting, emotional storytelling, music, and realistic visuals


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